Oldies But Goodies -

Certain songs aren’t just prayers sung aloud — they are true offerings, surrendered wholly before God. Take My Life is one of those sacred hymns. And when Guy Penrod lifts it live, his voice turns the old words into something new — a living surrender, sung not from tradition alone but from the depths of conviction.

A Hymn of Surrender: Guy Penrod and the Living Legacy of “Take My Life” Certain…

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The lights at the Sydney Opera House dimmed into a reverent hush, the great hall breathing with expectation. The year was 2003, yet in that moment time itself seemed to pause. A single spotlight traced across the stage as the first chords began, soft and solemn.

A NIGHT AT SYDNEY OPERA HOUSE: “It Is Finished” Echoes Like Heaven’s Own Choir The…

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Three voices stepped forward — Guy Penrod, tall and steady, silver hair framing his face; Joy Gardner, radiant with a gentle strength; and David Phelps, eyes lifted as though reaching higher than the ceiling could hold.

THE LOVE OF GOD: When Three Voices Turned a Song Into Revelation The lights softened…

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This isn’t a staged performance or a spotlighted stage moment — this is Don Reid, hand in hand with his wife, swaying gently to a song that carries memory more than melody. No microphones, no applause, just laughter filling the room, the kind that comes from love that has weathered seasons together.

WHEN THE MUSIC LINGERS: Don Reid’s Quiet Dance Beyond the Spotlight This isn’t a staged…

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Few songs are truly written — instead, they are born from memory, stitched from the ordinary days of people who once dreamed, laughed, and grew together. Class of ’57 is one of those timeless pieces.

“THE SONG THAT GREW OLD WITH US: The Timeless Truth Inside The Statler Brothers’ ‘Class…

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Bathed in the soft glow of the stage lights, Jimmy Fortune stepped forward with gentle humility, cradling his guitar as though it held every story he’d ever lived. His eyes carried that familiar mixture of tenderness and ache, the kind that speaks before a single word is sung. The audience leaned in, knowing this moment would cut deep.

Jimmy Fortune — Too Much on My Heart The night was still, almost sacred, when…

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Some songs aren’t just performed — they awaken something eternal, a dawn breaking into the silence of night. Then Came the Morning is one of those sacred pieces. And when the Gaither Vocal Band lifted it live, with Guy Penrod’s soaring voice at the center, it wasn’t merely music — it was resurrection set to melody.

Then Came the Morning — A Song of Resurrection Beyond Time There are songs that…

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The Statler Brothers Quartet — “The Great Pretender” & “Memories Are Made of This” (Remastered)

When the Statler Brothers sang, time seemed to fold back on itself — the harmony…

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Vince Gill and Amy Grant — two voices that shaped both country and contemporary Christian music — have announced their 2026 One Last Ride tour, a deeply personal and historic farewell that will unite their songs, stories, and love on stage one final time.

At first glance, the announcement seemed almost too good to be true. Vince Gill and…

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At 62, Gospel Legend Guy Penrod’s Wife Angie Clark Breaks Silence on His New Life

For decades, the world has recognized Guy Penrod by his flowing silver hair, his warm…

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Certain songs aren’t just prayers sung aloud — they are true offerings, surrendered wholly before God. Take My Life is one of those sacred hymns. And when Guy Penrod lifts it live, his voice turns the old words into something new — a living surrender, sung not from tradition alone but from the depths of conviction.

The lights at the Sydney Opera House dimmed into a reverent hush, the great hall breathing with expectation. The year was 2003, yet in that moment time itself seemed to pause. A single spotlight traced across the stage as the first chords began, soft and solemn.

Three voices stepped forward — Guy Penrod, tall and steady, silver hair framing his face; Joy Gardner, radiant with a gentle strength; and David Phelps, eyes lifted as though reaching higher than the ceiling could hold.

This isn’t a staged performance or a spotlighted stage moment — this is Don Reid, hand in hand with his wife, swaying gently to a song that carries memory more than melody. No microphones, no applause, just laughter filling the room, the kind that comes from love that has weathered seasons together.